Social Research Foundation, Kanpur (UP), India

  Anthology The Research:  ISSN: 2456– 4397   RNI No. UPBIL/2016/68067 Vol.-5*   Issue-12*  March-2021 ) Paper Submission: 01/03/2021, Date of Acceptance: 20/03/2021, Date of Publication: 24/03/2021     Swapna B iswas  Research Scholar,  Dept . of Drawing & Painting,  University of Rajasthan,  Jaipur, Rajasthan, India                                                                    Abstract   The human body was already at the center of human thought process through artistic expression and human culture. Art is also similarly ancient and evolved over time. If we consider our contemporary history, the body has already taken centre stage not just in the creation of art but in nearly every aspect of human life. The „body‟ has been portrayed from the ...

  Anthology The Research: (ISSN: 2456–4397 RNI No.UPBIL/2016/68067 Vol-5* Issue-10* January-2021)   Paper Submission: 15/01/2021, Date of Acceptance: 26/01/2021, Date of Publication: 27/01/2021   Mukesh Taank  Research Scholar,  Faculty of Arts,  Govt. Arts College, Kota,  Rajasthan, India Shalini Bharti  HOD,  Deptt of Drawing & Painting  Govt. Arts College, Kota,  Rajasthan, India Abstract   The Digital art is a widely acknowledged artistic medium of expression in the contemporary Indian scenario. This progressive idea has given a new dimension to art.The digital technology made a modest distinction between design and art. Digital art is the result of two qualities, human imagination and technological innovation. Today, technological ease, social media platform, digital marketing and invention in printing area brought human creativity to more nearer to the commonalty. The computerized transformation has ...

Srinkhala Ek Sodhparak Vaicharik Patrika   ( P: ISSN NO.: 2321-290X RNI : UPBIL/2013/55327 VOL-8* ISSUE-2* October- 2020 E: ISSN NO.: 2349-980X) Paper Submission: 15/10/2020, Date of Acceptance: 26/10/2020, Date of Publication: 27/10/2020 Abstract   रामावतार मीना एसोसिएट प्रोफेसरए ड्राइंग और पेंटिंग विभाग कॉलेज टोंक, राजस्थान, भारत संस्कृति स्वयं विशाल व्याप्ति वाला शब्द है, जो हमारे जीवन को एक छोर से दूसरे छा ेर तक प्रकाशित करता है। दादूपंथी संत सम्प्रदाय, उनके द्वारा रचित साहित्य एवं कला के माध्यम से उस समय संस्कृति का तत्कालीन स्वरूप क्या था, हम देख सकते है ं, जो आज मूल दस्तावेजों की तरह हमारे समक्ष है। संत दादू के जन्म के समय देश म ें इस्लाम धर्म का बोल-बाला होने के कारण भय और आतंक का वातावरण छाया हुआ था, समाज में उँच-नीच, जाति-धर्म, मत, सम्प्रदाय, अस्पृश्यता, अंधविश्वास, बाहृयाडम्बरों स े लोग परेशान थे। संत दादू ने अपने सरल और मधुर उपदेशों से जन-सामान्य को निर्गुण भक्ति का संदेश दिया। उन्होंने ईश्वर भक्ति, नामस्मरण, सत्संग, सद्-आचरण को अपनाकर सांसारिक माया मोह, प्रपंच...

Anthology The Research   ( ISSN: 2456–4397 RNI No.UPBIL/2016/68067 Vol-5* Issue-10* January-2021 )  Paper Submission: 15/01/2021, Date of Acceptance: 26/01/2021, Date of Publication: 27/01/2021 Abstract   Mukesh Taank  Research Scholar, Faculty of Arts, Govt. Arts College, Kota, Rajasthan, India Shalini Bharti   HOD, Deptt of Drawing & Painting Govt. Arts College, Kota, Rajasthan, India The Digital art is a widely acknowledged artistic medium of expression in the contemporary Indian scenario. This progressive idea has given a new dimension to art.The digital technology made a modest distinction between design and art. Digital art is the result of two qualities, human imagination and technological innovation. Today, technological ease, social media platform, digital marketing and invention in printing area brought human creativity to more nearer to the commonalty. The computerized transformation has been effective in bringing out new opportunities in cont...

Inovation The Research Concept   (ISSN: 2456–5474 RNI No.UPBIL/2016/68367 Vol.-5* Issue-12* January- 2021)  Paper Submission: 10/01/2021, Date of Acceptance: 25/01/2020, Date of Publication: 26/01/2021 Abstract सोनाली  गुप्ता शोध छात्रा, ड्राइंग और पेंटिंग, कला संकाय, दयालबाग शैक्षिक संस्थान, डीम्ड विश्वविद्यालय दयालबाग, आगरा, भारत मनुष्य अपनी विचारधारा में व्यवस्था चाहता ह ै, इसी व्यवस्था का े कला की भाषा में प ्रबन्धात्मकता अथवा संया ेजन कहते ह ै ं। एक अच्छे संया ेजन म ें विविधता में एकता होती ह ै। विविधता की दृष्टि से संया ेजनात्मक तत्वों को व्यवस्थित करके कलाकार एकता स्थापित करता ह ै यानि संया ेजन करता ह ै। जिस तरह लेखन कार्य के मूल तत्व शब्द, वाक्य, भाव आदि होते ह ै ं ठीक उसी प ्रकार दृश्य कला की प्रत्येक विधा (स्थापत्य, चित्रकला, मूर्तिकला एवं जनजातीय कला आदि) के भी मूल तत्व हा ेते ह ै ं, जिनके अभाव में का ेई भी कलाकृति अधूरी प्रतीत होती ह ै। संया ेजन की दृष्टि से कलाकृति का प ्रत्येक भाग महत्वप ूर्ण होता ह ै। यही संया ेजन के तत्व हमें का ंगड ़ा श ैली के नल-दमयन...

Asian Resonance (P: ISSN No. 0976-8602 RNI No. UPENG/2012/42622 VOL.-III, ISSUE-III, JULY-2014 E: ISSN No. 2349-9443 )  Abstract   Yogendra Singh Naruka  Lecturer & HOD (Drawing & Painting) Government S.A.L.P. Deaf Dumb Institution, Jaipur Rajasthan Rajiv Garg  Rted.Principal, Govt.P.G.College, Tonk, Rajasthan Rajasthan has a great tradition of visual and performing miniature painting; architecture and the music from rajasthan have already been acknowledged throughout the world. But unfortunately, the contemporary art traditions have not yet found their right full place in the history of rajasthani art. Contemporary traditions are eroded by the influence of traditional paintings. for full paper please visit below link : http://www.socialresearchfoundation.com/upoadreserchpapers/1/15/14110612451744%20%20yogendra%20singh.pdf  

Asian Resonance (P: ISSN No. 0976-8602 RNI No.UPENG/2012/42622 VOL.-IV, ISSUE-II, April-2015 E: ISSN No. 2349-9443 )  Abstract   Ravneet Kaur  Research Scholar, UIFT&VD, Panjab University, Chandigarh Prabhdip Brar  Assistant Professor, UIFT&VD, Panjab University, Chandigarh Block printing is an age-old art-form of India, with different variations of the same existing in different regions of the country. Two of the most interesting styles are the Sanganer and Ajrakh styles. This paper reviews the historical and technical aspects of the two forms. A comparative analysis of the two sheds light on the important similarities and differences between the two art forms, and helps understand them better. An attempt has been made to understand the reasons for the decline of the two art forms, and the recent attempts at their revival. The contribution of modern fashion designers in this regard has been highlighted. for full paper please visit below link : http://w...

Asian Resonance ( P: ISSN No. 0976-8602 RNI No.UPENG/2012/42622 VOL.-8, ISSUE-2,(Part-1) April 2019 E: ISSN No. 2349-9443 )  Abstract   Sonika  Assistant Professor, Deptt. of Drawing & Painting, Faculty of Arts, Dayalbagh Educational Institute, (Deemed University) Dayalbagh, Agra,(U.P.), India Among various creative forms of Buddhist art, a sacred style of Buddhist painting was developed in Tibet, known as Thangka Painting. Thangka painting is the representation of Buddha philosophy on the flat surface. They are generally scroll paintings hanged in monasteries or rolled up for religious purpose. These paintings usually represent the scenes from the life of Lord Buddha, and of his pre-incarnation in the Jataka etc. other than this they depict the social and historical phenomenon, customs and habits of Tibet. Thangka paintings are important for Tibetans because these are considered as an important material for studying the religion, history, culture, painting, arts ...