Impact of Japanese Artist’s Wash Technique in the Expansion of Modern Bengal School

Asian Resonance(P: ISSN No. 0976-8602 RNI No.UPENG/2012/42622 VOL.-6, ISSUE-1, January-2017 E: ISSN No. 2349-9443)

Abstract


 Amita Raj Goyal

 Associate Professor, Deptt.of Visual Arts, The IIS University, Jaipur, Rajasthan, India

       China and Japan traditionally consider for calligraphy and painting. In East Asia the term 'Ink and wash painting' referred as 'brush painting'. The Chinese denote it as mo-shui, while the Japanese call it suibokuga or sumi-e. Brush strokes in both are same.Painting medium for ink and wash is black ink, typically applied with long haired brushes on paper or silk cloth.

       The Japanese influence of wash technique is seeming from the soft misty quality seen in the paintings which became a characteristic of Bengal School in India. At Santiniketan artists developed a new style of water colour called the Wash-technique.Wash is one of the most important techniques in watercolour painting. It is also known as wetting technique.This research is about how, the Japanese art reached India and become an integral part of Indian Artist.

for full paper please visit below link :

http://www.socialresearchfoundation.com/upoadreserchpapers/1/138/1907110618351st%20amita%20goyal.pdf


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