Transmutation of ‘Traditional Pottery’ to ‘Studio Pottery’

 Innovation : The Research Concept ISSN No. 2456–5474  RNI No. UPBIL/2016/68367 VOL- VI * ISSUE- IV * May - 2021  

 Paper Submission: 05/04/2021, Date of Acceptance: 22/04/2021, Date of Publication: 25/04/2021

 Giriraj Sharma 
Associate Professor, 
Dept. of Visual Art,
 IIS University, 
Jaipur, Rajasthan, India




 







Anju Paliwal 
Research Scholar, 
Dept. of Visual Art,
IIS University,
 Jaipur, Rajasthan, India

                                                   Abstract

 India is a land of rich cultural heritage. Art was always a part of lifestyle; arts and crafts were born out of necessity. Weaving, jewellery making, pottery, idols of gods and goddesses, iron smith etc were all part of society. But with time society became very complex and people were classified into different castes and groups. Pottery is one such craft which saw many changes in the human behavior. People who do pottery or works in the clay are called KUMBHKAR or KUMHARS. Figurines and seals from Harappa are the evidence which proved this fact. The 19th and 20th century saw the use of terracotta in the architecture. Temples at Birbhum in Bengal are the excellent examples of this style. In our country we do not have the tradition of glazed pottery. According to the Hindu tradition pot once used for drinking or eating is thrown away and not to be used again. After the Harappa culture and before Historical period, pottery showed deterioration, both in quality and decoration. However, the terracotta toys and heads discovered of the Gupta period were considered as the masterpieces of art. The potters used to work in the low temperature clay and often the surface of the pots is unglazed. But with change in the requirements of the people Government took essential steps to educate the potters and update them with new techniques and materials. Post-Independence in India many designs centers were established to revive this age-old craft. People were losing interest in pottery and they want to see some modern designs along with the utility and that’s where these centers played vital role. Artist was trained in the centers as per the need of the time. Sometime the specialists in the specific art were invited by the Government to train the Local artists

  for full paper please visit below link :

https://www.socialresearchfoundation.com/upoadreserchpapers/6/419/2105050131011st%20anju%20paliwal%2014067.pdf

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